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Category: Literature

  • Interviews

Fronteras Físicas y Poéticas: Entrevista con Omar Pimienta

  • by Antonio Villaseñor-Baca
  • Posted on April 22, 2020

Omar Pimienta is a poet from Tijuana, Baja California, whose work has been shaped by…

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  • El Paso

Isabel Quintero & Zeke Peña Talk Graciela Iturbide, Overcoming Self-Doubt, Chicanx Identity, and Records

  • by Antonio Villaseñor-Baca
  • Posted on February 7, 2020February 13, 2020

Isabel Quintero and Zeke Peña are rock stars in the literary and artistic worlds separately…

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  • Interviews

Natalie Scenters-Zapico Returns to Alma Mater for Borderland Homecoming

  • by Antonio Villaseñor-Baca
  • Posted on September 20, 2018September 20, 2018

Natalie Scenters-Zapico is an El Pasoan and fronteriza through and through, and today she returns…

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  • Culture

The Story of the Ultimate Migrant: Interview with Jean Guerrero, Author of ‘Crux: A Cross-Border Memoir’

  • by Antonio Villaseñor-Baca
  • Posted on July 19, 2018July 19, 2018

Jean Guerrero is a “multimedia reporter with experience covering Latin America,” reads her staff bio…

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  • Art

The Complexities of the U.S.-Mexico Border Explained Through Art and Literature

  • by consafosmag
  • Posted on June 11, 2018June 11, 2018

All of the noise being put around the U.S-Mexico border by American politics has made…

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“The Spanish-language album features a resurrected Kali, more grown up, and unapologetic. The Colombian-American dips into her Latinx roots. She gives us everything from reggaetón, to bolero covers, cementing herself as an artist that is unbound by genres.”
“Cada vez que Bad Bunny saca un álbum el anti-puertorriqueñismo sale a pasear pero FEO. Digo anti-puertorriqueñismo porque es una combinación de racismo, clasicismo, ahistoria, y desdén que se combinan en esta cosa que intenta pulir el colonialismo y a Bad Bunny como un caso de estudio y SOLO como un caso de estudio. Yo también me retiraría a los 26 si tuviera que bregar con esas.”
🇵🇷@enyelc_ (pronunciado como Angel en inglés), es la nueva rising star dentro de los géneros de Latin Trap y Lo-Fi/Internet Rap—representando la generación Z de músicos, talentosamente independientes, que conmemoran el día a día y su relación con la tecnología.
@cocovera_space is the project of the dynamic duo of Alejandra Robles Luna and Janelle Obert, two rockstars with separate bands that divide their time between making music, touring, experimenting in visual art like directing music videos, and a relationship.
While not ground breaking or completely revolutionary in the rock genre, The New Abnormal shines as @thestrokes best effort in more than a decade and offers a stark reminder of why we fell in love with them seventeen years ago when Room On Fire graced our CD and cassette players.
@machin3gir1 strikes again with their latest independent release U-Void Synthesizer. While their last album, The Ugly Art (released in October 2018), served as the pinnacle of their electronic hardcore sound, U-Void Synthesizer is a brutal onslaught of electronic chaos that throws the listener into a dance-crazed descent with its wicked instrumental composition mixed with metal, grind, and electro-punk genres.

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