Tag: Interview

“Be Nice to Animals:” Animals Take Over in Season 3 of HBO Comedy Series

Cats in a mafia or doing bondage, young flies staring at a nudey mag, cockroaches amid an apocalypse, gender-fluid pigeons, Ty Segall and Kurt Vile become squirrels, and rats wearing pants to hide “nervous boners;” these are just some examples of the hijinks and situations that exist in the world of Mike Luciano and Phil Matarese’s HBO comedy, Animals.

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The Coathangers Headline Burger-A-GoGo Tour and Get Ready for Tour with Minus the Bear

The Atlanta native garage/punk rock band the Coathangers are at the top of the ticket for the Burger-A-Go-Go West Coast tour. This is the first year that the tour is hitting the road as a tour. The band also recently announced some tour dates with Minus the Bear.

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The Octopus Project Kickoff ‘Hello, Avalanche’ 11th Anniversary Tour, Prepare for Score to Premier at Sundance via third Zellner Brother film collaboration

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The eclectic Austin band began the anniversary tour for their third album Hello, Avalanche in El Paso, TX, at the Lowbrow Palace. The Octopus Project are well-known for their unique sounds that sound like the music Nintendo plumber Mario would concoct if he gave us his pipe dreams and ditched Princess Peach to become a composer for sci-fi films. Hello, Avalanche is a prime example of the emotions of glee and wonder their music invokes. The high zipping sound that Yvonne Lambert’s theremin leads through the Octopus Project’s music is what it must feel like skipping through a field of sunflowers whilst being shocked by static; relaxing in a strangely metallic way.  

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The Sufis’ Calvin Laporte Discusses New Album, “After Hours”

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Photo by Sasha Eisenman, from Burger Records website.

The third album of the Nashville created-gone to New York band, the Sufis, title “After Hours.” The album, released on Burger Records, is the first of band since they moved from Nashville, to New York. It focuses on “contrasts,” says the Sufis’ Calvin Laporte, as many of the songs were written and composed during the after hours, after long days of work. The contrast starts with the album’s cover photo, shot by California-based photographer, Sasha Eisenman.

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